Lucy Moir

Vitals

Gender
Female
Age Range
28 - 38
Height
171cm
Base Location
Melbourne
Available In
International, Melbourne, Sydney
Skills
Actor, Writer, Musician
Hair
Auburn
Eye
Blue
Memberships
M.E.A.A

Agent

Acting Agent
AMM
Phone

Feature Photo
Lucy Moir

Credits

2023

Commercial
Hero: Gimlet Woman
Visit Vic
Good Oil
Tom Campbell
Feature Film
Angela Veal
Inside
Macgowan Films
Charles Williams
Short Film
Ana
A Life on Mars
Fever Dream Films
Hannah Moore

2022

Television
Hilary
Love Me
Warner Bros.
Bonnie Moir
Feature Film
Outermore Executive
FOE
See-Saw Films, Anonymous Content
Garth Davis

2021

Stage
Karaoke Queen
The Blind Date Project
Adelaide Cabaret Festival
Alan Cumming
Commercial
Lead
Nintendo
Air Bag
Ben Saunders

2019

Commercial
Hero
Worksafe
Thibault Debaveye
Voice Over
Hero
Podcast
Saturday Paper

2018

Voice Over
Hero
Back to School
Office Works
Short Film
Milly
Nothing to Hide
Glue Factory Pictures
Nicholas Dunn
Voice Over
Hero
Movie It Aus
Sports Australia
Stage
Sara
Write Loud and Clear About What Hurts
Melbourne Fringe
Lucy Moir & Debra Lawrance
Short Film
Fi
Skewwhiff
Exile Shorts
Rob Summons
Feature Film
Melanie
Maybe Tomorrow
Blazing Arrow Media
Caitlin Farrugia
Short Film
Lucy
Jupiter
VCA
Michael Zito

2017

Voice Over
Hero
Holden
Astra
Short Film
Ruth
Bird
Exit Films
Bonnie Moir
Stage
Joan
Lovesong
Melbourne Fringe
Francis Greenslade

2016

Video
Woman
Fire to the Stars
Made of Fire
Matthew Chuang
Voice Over
Hero
#opentheworld
Kathmandu
Commercial
Hero
Parlour Music
Parlour
Glenn Luck

2015

Commercial
Hero
Moxie tampons
Commercial
Hero
Spirit of Tasmania
Exit Films
Ben Saunders
Feature Film
Kate
That's Not Me
Moccasin
Gregory Erdstein
Feature Film
Lucy's friend
LION
See-Saw
Garth Davis

2014

Feature Film
Young Molly
The Dressmaker
Universal
Jocelyn Moorhouse
Stage
Laura
The Glass Menagerie
Melbourne Fringe
Adam Spellicy
Commercial
Hero
#Gen Better
Medibank

2013

Commercial
Hero
Aus Post
Guilty
Corrie Jones
Stage
June 30
Festival of New Writing
Griffin Theatre
Chris Issacs
Commercial
Hero
'Said No One Ever'
Handee
Stage
Lucy
The Blind Date Project
Sydney Int. Arts Festival
Tanya Goldberg

2012

Stage
Lucy
The Blind Date Project
Brisbane Powerhouse
Tanya Goldberg
Television
Linda Butler
The Dr Blake Mysteries
ABC Television
Ian Barry
Stage
Jess
Lovely/Ugly
Griffin Theatre
Tanya Goldberg

2011

Television
female detective
'Cop Hard'
Jonathan Auf Der Heide
Stage
Lucy
The Blind Date Project
Ride On Theatre
Mark Winter

2010

Commercial
Crying girl
'Every Breath' Medibank
Exit Films
Mark Molloy

2009

Stage
Gina
One for the Road
NIDA
Kip Williams

Training

2018
Groundlings NYC
Advanced Improv
Comedy
2016
Kim Farrant
Raw Truth/Sexuality on Screen
Performance
2014
Ecole Philippe Gaulier
Le Jeu
Performance
2012
SITI, Madrid
Performance Intensive
Suzuki, Viewpoints
2008-2010
National Theatre
Diplomer of Arts
Acting
2006-2012
Monash University
BA
Literature and Philosophy

Skills & Attributes

Shoe Size
9
Clothing Size
Female - 10
Waist
75cm
Bust
91cm
Natural Accent
Australian
Accents
Australian, Cockney, English, Irish, Russian
Languages
French, Spanish
Hair Length
Long, Messy
Hair Style
Wavy
Instrumental
String
Singing
Jazz
Sport
Fencing, Horse Riding, Yoga
Drivers Licences
Car
Professional Skills
Actor, Writer, Musician

Photos


Notes

Praise for Write Loud and Clear About What Hurts: "The blistering performances in Lucy Moir’s piece make the audience gasp and laugh as pent-up emotions come tumbling out." "...the writing is splendid; the dialogue is fast, furious, visceral and at times so honest it is scorchingly funny...The acting, though, is first-rate and highly-charged, with Moir superlative as Sara, all blazing hostility one moment and awkward vulnerability the next". -Melbourne Arts Review "This show’s humour inhabits similar territory, exploring the desperate comedy that comes out of psychological pain. It also recalls Phoebe Waller-Bridge’s Fleabag, another show about a fucked up woman, although it’s rather less bleak. Moir and Lawrance are both very funny performers who turn the absurdities of mental anguish with the necessary undercurrent of compassion for their characters." -Alison Croggon, Witness Performance